... the conductor Andrew Jones had a sure sense of the score, shaping the individual numbers with impressive style, security and pace ... [The] orchestra was alert and keen and wholly pleasurable. Kay Jordan ... was ... a joy to hear: glistening, full-bodied, and more interesting for the occasional blowsiness. I also enjoyed Susan Gilmour Bailey’s Atalanta, which was bright, articulate and fun.
Opera Now, May 2003
